Amram, David |
Fanfare and Processional |
I. Fanfare |
beg.-15 |
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II. Processional |
mm. 22-34 |
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II. Processional |
mm. 44-52 |
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II. Processional |
mm. 65-73 |
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Arnold, Malcolm |
Quintet No.1 Op. 73 |
I. Allegro vivace |
reh. B-5 mm. before reh. C |
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I. Allegro vivace |
reh. F-1 mm. after reh. G |
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I. Allegro vivace |
1 mm. before reh. H-4 mm. before reh. J |
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I. Allegro vivace |
reh. P-7 mm. before end |
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III. Con brio |
4 mm. before reh. D-reh. F |
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III. Con brio |
reh. H-5 mm. after reh. J |
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III. Con brio |
reh. K-reh. L |
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Arutiunian, Alexander |
Armenian Scenes |
II. Drinking Song |
4 mm. after reh. 5-reh. 7 |
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II. Drinking Song |
2 mm. before reh. 8-reh. 8 |
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II. Drinking Song |
reh. 9-6 mm. after reh. 9 |
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IV. Wedding Procession |
reh. 15-3 mm. after reh. 15 |
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IV. Wedding Procession |
reh. 18-reh. 19 |
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IV. Wedding Procession |
4 mm. before end-end |
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Bach, Jan |
Rounds and Dances |
I. Fanfare |
reh. B-reh. D |
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I. Fanfare |
reh. G-1 mm. before reh. H |
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I. Fanfare |
reh. J-reh. K |
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II. Sarabande |
2 mm. before reh. D-reh. F |
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III. Carioca |
1 mm. before reh. B-5 mm. after reh. B |
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III. Carioca |
2 mm. before reh. F-reh. G |
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III. Carioca |
4 mm. after reh. K-reh. L |
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IV. Idyl |
reh. B-reh. C |
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V. Galop |
1 mm. before reh. D-reh. E |
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V. Galop |
1 mm. before reh. J-reh. K |
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V. Galop |
3 mm. before reh. P-reh. Q |
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V. Galop |
reh. S-end |
Bach, Jan |
Laudes |
I. Reveille |
reh. C-9 mm. after reh. C |
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I. Reveille |
2 mm. before reh. I-end |
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II. Scherzo [Entire Movement Muted] |
beg.-mm. 9 |
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II. Scherzo |
8 mm. before reh. C-6 mm. before reh. C |
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II. Scherzo |
reh. D-5 mm. after reh. D (passage continues in a similar fashion for 9 more measures) |
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II. Scherzo |
2.1 mm. before reh. F-reh. F |
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II. Scherzo |
reh. I-3 mm. after reh. I |
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III. Cantilena |
beg.-reh. A |
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III. Cantilena |
3 mm. after reh. D-reh. E |
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III. Cantilena |
2 mm. after reh. E-4 mm. after reh. E |
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IV. Volta |
reh. C-3 mm. after reh. D |
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IV. Volta |
3 mm. before reh. G-2 mm. after reh. G |
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IV. Volta |
4 mm. before reh. M-reh. M |
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Barboteu, Georges |
Astral |
n/a |
2 mm. before reh. C-4 mm. after reh. C |
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n/a |
1 mm. after reh. G-7 mm. after reh. G |
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Bazelon, Irwin |
Brass Quintet |
I. Fast-driving |
beg.-mm. 3 |
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I. Fast-driving |
mm. 17-19 |
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I. Fast-driving |
mm. 35-40 |
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I. Fast-driving |
mm. 55-59 |
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I. Fast-driving |
mm. 118-123 |
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I. Fast-driving |
mm. 161-166 |
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II. Moderately |
mm. 16-31 |
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II. Moderately |
mm. 51-53 |
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II. Moderately |
mm. 63-end |
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III. Slow |
mm. 33-40 |
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IV. Lively |
beg.-mm. 10 |
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IV. Lively |
mm. 22-30 |
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IV. Lively |
mm. 40-54 |
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IV. Lively |
mm. 135-149 |
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IV. Lively |
mm. 164-end |
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Bernstein, Leonard |
Dance Suite |
V. M T V |
mm. 18-24 (passage continues in a similar fashion for 13 more measures) |
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V. M T V |
mm. 66-end |
Bozza, Eugene |
Sonatine |
I. Allegro vivo |
mm. 4-9 |
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I. Allegro vivo |
6 mm. before reh. 3-2 mm. before reh. 4 |
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I. Allegro vivo |
3 mm. before reh. 5-3 mm. after reh. 5 |
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I. Allegro vivo |
5 mm. before reh. 11-end |
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II. Andante ma non troppo |
reh. 1-reh 2 |
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III. Allegro vivo |
14 mm. after reh. 2-8 mm. before reh. 3 |
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III. Allegro vivo |
1 mm. before reh. 3-5 mm. after reh. 4 (passage continues in a similar fashion for 10 more measures) |
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III. Allegro vivo |
4 mm. before reh. 9-end |
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IV. Largo: Allegro vivo |
reh. 2-reh. 3 (entire passage muted) |
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IV. Largo: Allegro vivo |
8 mm. after reh. 6-reh. 7 |
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IV. Largo: Allegro vivo |
5 mm. before reh. 8-reh. 8 |
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IV. Largo: Allegro vivo |
2 mm. before reh. 11-reh. 12 |
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IV. Largo: Allegro vivo |
3 mm. after reh. 15-end |
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Calvert, Morley |
Suite from the Monteregian Hills |
III. Valse Ridicule |
3 mm. after reh. Q-8 mm. after reh. Q |
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IV. Danse Villageosie |
mm. 5-4 mm. before reh. T |
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IV. Danse Villageosie |
reh. U-3 mm. before reh. V |
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IV. Danse Villageosie |
reh. W-end |
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Carter, Elliott |
Brass Quintet |
n/a |
mm. 5-13 |
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n/a |
mm. 30-47 |
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n/a |
mm. 81-95 [muted] |
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n/a |
mm. 97-104 |
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n/a |
mm. 133-144 |
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n/a |
mm. 154-158 |
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n/a |
mm. 186-192 |
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n/a |
mm. 220-224 |
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n/a |
mm. 233-259 |
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n/a |
mm. 302-305 |
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n/a |
mm. 396-400 |
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Cheetham, John |
A Brass Menagerie |
I. Molto Allegro ed Energico |
mm. 24-34 |
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I. Molto Allegro ed Energico |
mm. 71-82 (passage continues in a similar fashion for 30 more measures) |
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I. Molto Allegro ed Energico |
mm. 297-312 (passage continues in a similar fashion for 7 more measures) |
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II. Lento |
mm. 7-mm. 31 |
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III. Scherzando ben ritmico |
mm. 35-71 |
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IV. Alla marcia |
mm. 22-35 (passage occurs 2 more times in this movement) |
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IV. Alla marcia |
mm. 65-80 |
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V. Brillante |
mm. 36-45 |
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V. Brillante |
mm. 63-73 (this passage, or variations thereof, occur 2 more times in this movement |
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V. Brillante |
mm. 113-121 |
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V. Brillante |
mm. 187-end |
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Scherzo |
n/a |
reh. C-2 mm. before reh. E |
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Childs, Barney |
Variations sur une chanson de canotier |
Introduction and Theme (Movement I) |
beg.-6 mm. after reh. 1 |
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Var. 6 |
beg.-reh. 10 |
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Var. 6 |
reh. 11-7 mm. after reh. 11 |
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Dahl, Ingolf |
Music for Brass Instruments |
I. Chorale Fantasy on "Christ Lay in the Bonds of Death" |
mm. 34-40 |
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II. Intermezzo |
mm. 80-92 |
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II. Intermezzo |
mm. 140-144 |
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III. Fugue (Composer's note: The indications "Solo" and "Tutti" apply only to Brass Choir performances. |
beg.-mm. 10 |
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III. Fugue |
mm. 92-97 |
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Etler, Alvin |
Quintet |
I. |
mm. 18-30 |
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II. |
mm. 78- 91 |
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II. |
mm. 105-115 |
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III. |
mm. 15-20 |
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III. |
mm. 24-30 |
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III. |
mm. 34-43 |
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IV. |
mm. 1-3 (passage continues in a similar fashion for 17 mor measures) |
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IV. |
mm. 69-80 |
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IV. |
mm. 90-95 |
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IV. |
mm. 102-122 |
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IV. half valves (Composer's indication: Remove mouthpiece, set valves as indicated, and tongue the tube-end.) |
mm. 131-142 |
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IV. |
mm. 162-170 |
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Ewald, Victor |
Quintet No. 1, Op. 5 |
I. |
mm. 48-54 |
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I. |
mm. 95-105 |
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II. |
mm. 159-166 |
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II. |
mm. 219-225 |
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III. |
mm. 228-244 |
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III. |
mm. 286-293 |
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III. |
mm. 328-330 |
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III. |
mm. 355-362 |
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Quintet No. 2, Op. 6 |
I. |
reh. 2-8 mm. after reh. 2 (passage continues in a similar fashion for 8 more measures) |
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I. |
1 mm. before reh. 4-8 mm. after reh. 4 |
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I. |
5 mm. after reh. 22-reh. 23 |
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II. Thema con Variazioni |
Var. II 7 mm. before reh. 1-reh. 1 |
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II. Thema con Variazioni |
Var. II reh. 2-9 mm. after reh. 2 |
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II. Thema con Variazioni |
Var. IV 8 mm. before reh. 1-reh. 1 |
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II. Thema con Variazioni |
Var. VI 2 mm. before reh. 2-4 mm. after reh. 3 |
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II. Thema con Variazioni |
Var. VI Coda 11 mm. after reh. 3-15 mm. after reh. 3 |
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III. |
beg. 5 mm. after reh. 1 |
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III. |
3 mm. after reh. 3-7 mm. before reh. 4 |
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III. |
5 mm. after reh. 7-2 mm. after reh. 8 |
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III. |
reh. 12-8 mm. after reh. 12 |
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Quintet No. 3, op. 7 |
I. |
mm. 92-98 |
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II. Intermezzo |
mm. 51-59 |
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II. Intermezzo |
mm. 70-84 |
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Quintet No. 3, op. 7 |
IV. |
mm. 200-204 |
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Ewazen, Eric |
Colchester Fantasy |
I. The Rose and Crown |
mm. 26-30 |
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I. The Rose and Crown |
mm. 36-37 |
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I. The Rose and Crown |
mm. 73-77 |
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II. The Marquis of Granby |
mm. 97-103 |
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III. The Dragoon |
mm. 71-81 |
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III. The Dragoon |
mm. 149-160 |
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IV. The Red Lion |
mm. 27-32 |
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IV. The Red Lion |
mm. 68-72 |
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IV. The Red Lion |
mm. 82-86 |
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IV. The Red Lion |
mm. 131-140 |
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IV. The Red Lion |
mm. 148-150 |
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Frost Fire |
I. |
mm. 23-33 |
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I. |
mm. 64-67 |
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I. |
mm. 86-95 |
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I. |
mm. 130-136 |
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III. |
mm. 121-125 |
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III. |
mm. 149-152 |
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III. |
mm. 206-208 |
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III. |
mm. 220-end |
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Frackenpohl, Arthur |
Brass Quintet |
I. March |
beg-mm. 3 |
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I. March |
reh. A-3 mm. before reh. B |
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I. March |
7 mm. after reh. D-4 mm. before reh. E |
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I. March |
5 mm. before end-end |
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II. Blues |
beg.-reh. J |
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III. Rondo |
1 mm. before reh. Q-9 mm. after reh. Q |
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III. Rondo |
8 mm. after reh. S-reh. T |
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III. Rondo |
12 mm. before reh. X-6 mm. before reh. X |
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Gregson, Edward |
Equale Dances |
I. Toccata |
reh. 6-end |
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III. Scherzo |
8 mm. before reh. 11-1 mm. after reh. 11 |
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III. Scherzo |
reh. 12-4 mm. after reh. 13 |
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V. Burlesque |
3 mm. after reh. 25-2 mm. before reh. 26 (passage continues in a similar fashion for 11 more measures) |
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V. Burlesque |
3 mm. before reh. 27-3 mm. after reh. 27 |
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V. Burlesque |
5 mm. after reh. 28-reh. 29 |
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Quintet for Brass |
I. |
5 mm. after reh. 4-6 mm. after reh. 5 |
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I. |
6 mm. before reh. 7-reh. 7 |
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II. |
2 mm. before reh. 13-5 mm. before reh. 14 |
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II. |
4 mm. before reh. 15-6 mm. afer reh. 15 |
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II. |
2 mm. before reh. 16-3 mm. after reh. 17 |
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II. |
1 mm. before reh. 20-4 mm. after reh. 20 |
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II. |
3 mm. before reh. 22-3 mm. after reh. 22 |
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Hill, Douglas |
Intrada for Brass Quintet |
n/a |
mm. 31-44 |
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mm. 50-59 |
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Timepieces for Brass Quintet |
I. Good Times |
mm. 43-56 |
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I. Good Times |
mm. 59-62 |
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I. Good Times |
mm. 75-81 |
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III. Another Time |
mm. 66-74 |
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III. Another Time |
mm. 84-90 |
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V. Party Time! |
mm. 4-11 (passage continues in a similar fashion for 9 more measures) |
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V. Party Time! |
mm. 28-42 |
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V. Party Time! |
mm. 72-83 |
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V. Party Time! |
mm. 91-97 |
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V. Party Time! |
mm. 112-121 |
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Hindemith, Paul |
Plöner Musiktag: Morgenmusik |
III. |
mm. 8-20 |
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Horovitz, Joseph |
Music Hall Suite |
I. Soubrette song |
mm. 32-35 |
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II. Trick-cyclists |
mm. 21-30 |
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V. Les Girls |
mm. 13-22 |
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V. Les Girls |
mm. 50-61 |
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Hovhaness, Alan |
Sharagan and Fugue |
Fugue |
reh. E-12 mm. after reh. E |
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Fugue |
reh. G-2 mm. before reh. H |
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Husa, Karel |
Landcapes |
I. Northern Woods |
beg.-5 mm. after reh. A |
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I. Northern Woods |
2 mm. before reh. B-5 mm. before reh. D |
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I. Northern Woods |
2 mm. after reh. D-reh. E |
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II. Northern Lakes |
reh. D-reh. E |
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II. Northern Lakes |
3 mm. before reh. F-2 mm. after reh. F |
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III. Voyageurs [muted] |
reh. C-6 mm. before reh. D (passage continues in a similar fashion for 60 more measures) |
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III. Voyageurs [open] |
6 mm. after reh. N-14 mm. after reh. N |
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III. Voyageurs [open] |
4 mm. after reh. R-reh. S |
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III. Voyageurs [open] |
reh. T-reh. U |
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III. Voyageurs [open] |
8 mm. before reh. V-1 mm. before reh. V |
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III. Voyageurs [open] |
5 mm. after reh. Z-end |
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Divertimento |
II. Scherzo |
7 mm. before reh. E-end |
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|
IV. Slovak Dance |
5 mm. after reh. H-10 mm. after reh. H |
|
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IV. Slovak Dance |
6 mm. after reh. M-4 mm. after N |
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Koetsier, Jan |
Kinderzirkus, op. 79b |
I. Kleiner Zirkusmarsch |
1 mm. before reh. D-1 mm. after reh. E |
|
|
I. Kleiner Zirkusmarsch |
16 mm. after reh. H-25 mm. after reh. H |
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|
II. Die Seiltänzerin |
7 mm. after reh. B-end |
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|
IV. Der Jongleur |
1 mm. before reh. A-reh B |
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|
V. Clownerie II |
mm. 9-20 |
|
|
VI. Der Tanzbär |
5 mm. after reh. A-1 mm. after reh. B |
|
|
VII. Der Zauberer |
mm. 9-17 |
|
|
VIII. Grosses Finale |
reh. A-4 mm. before reh. B |
|
|
VIII. Grosses Finale |
reh. C-3 mm. before reh. D |
|
|
VIII. Grosses Finale |
9 mm. after reh. D-10 mm. after reh. E |
|
|
VIII. Grosses Finale |
11 mm. before end-end |
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|
|
Brass Quintet, op. 65 |
I. |
mm. 44-51 |
|
|
I. |
mm. 67-80 |
|
|
I. |
mm. 92-106 |
|
|
I. |
mm. 162-173 |
|
|
II. |
mm. 9-16 |
|
|
II. |
mm. 33-45 |
|
|
III. |
mm. 8-17 |
|
|
III. |
mm. 29-40 |
|
|
III. |
mm. 58-66 |
|
|
III. |
mm. 125-137 |
|
|
III. |
mm. 172-179 (passage continues in a similar fashion for 32 more measures) |
|
|
III. |
mm. 212-224 |
|
|
|
|
Leclerc, Michel |
Par Monts et Par Vaux |
I. La Colline aux épilobes |
2 mm. before reh. 8-end |
|
|
II. Sous-bois |
beg.-reh. 2 |
|
|
II. Sous-bois |
3 mm. after reh. 2-3 mm. after reh. 3 |
|
|
II. Sous-bois |
3 mm. after reh. 4-1 mm. after reh. 5 |
|
|
II. Sous-bois |
3 mm. before reh. 6-2 mm. after reh. 6 |
|
|
III. Jeux de la Lienne |
3 mm. before reh. 3-3 mm. before reh. 4 |
|
|
III. Jeux de la Lienne |
3 mm. after reh. 4-reh. 5 |
|
|
IV. La Chapelle dans les pins |
2 mm. after reh. 2-1 mm. after reh. 3 |
|
|
IV. La Chapelle dans les pins |
3 mm. after reh. 3-2 mm. before reh. 4 |
|
|
IV. La Chapelle dans les pins |
reh. 5-2 mm. before reh. 6 |
|
|
IV. La Chapelle dans les pins |
reh. 6-2 mm. before end |
|
|
V. Danse de la Follerie |
beg.-reh. 1 |
|
|
V. Danse de la Follerie |
reh. 3-2 mm. after reh. 4 |
|
|
|
|
Lovelock, William |
Suite for Brass |
I. Fanfare |
8 mm. before reh. 1-reh. 1 |
|
|
I. Fanfare |
3 mm. after reh. 3-reh. 4 |
|
|
I. Fanfare |
3 mm. before reh. 5-reh. 6 |
|
|
II. Meditation |
2 mm. before reh. 10-6 mm. after reh. 11 |
|
|
III. Toccata |
5 mm. before reh. 20-2 mm. before reh. 21 |
|
|
IV. Finale |
mm. 3-reh. 23 |
|
|
IV. Finale |
4 mm. before reh. 26-3 mm. after reh. 26 |
|
|
IV. Finale |
2 mm. before reh. 27-reh. 28 |
|
|
IV. Finale |
3 mm. before reh. 29-reh. 29 |
|
|
IV. Finale |
5 mm. before end-end |
|
|
|
|
Lutoslawski, Witold |
Mini Overture |
n/a |
beg.-reh. 1 |
|
|
n/a |
reh. 5-3 mm. before reh. 6 |
|
|
n/a |
reh. 8-reh. 9 |
|
|
n/a |
reh. 14-reh. 16 |
McCabe, John |
Rounds |
I. Allegro |
mm. 3-1 mm. after reh. 1 |
|
|
I. Allegro |
3 mm. after reh. 1-3 mm. before end |
|
|
II. Allegro moderato |
4 mm. before reh. 5-reh. 5 |
|
|
IV. Allegro moderato |
1 mm. after reh. 19-reh. 20 |
|
|
IV. Allegro moderato |
reh. 21-reh. 22 |
|
|
|
|
Persichetti, Vincent |
Parable for Brass Quintet |
n/a |
mm. 2-9 |
|
|
n/a |
mm. 11-19 |
|
|
n/a |
mm. 37-45 |
|
|
n/a |
mm. 46-52 |
|
|
n/a |
mm. 65-77 |
|
|
n/a |
mm. 88-101 |
|
|
n/a |
mm. 139-144 [muted] |
|
|
n/a |
mm. 183-193 |
|
|
n/a |
mm. 222-231 |
|
|
|
|
Plog, Anthony |
Four Sketches (Quintet No. 1) |
I. |
beg. mm. 10 |
|
|
I. |
mm. 18-22 |
|
|
I. |
mm. 32-38 |
|
|
II. |
mm. 33-43 (passage continues in a similar fashion for 9 more measures) |
|
|
II. |
mm. 53-60 (passage continues in a similar fashion for 23 more measures) |
|
|
III. |
mm. 8-15 |
|
|
III. |
mm. 34-40 |
|
|
III. |
mm. 58-63 |
|
|
IV. |
mm. 8-20 |
|
|
IV. |
mm. 61-62 |
|
|
IV. |
mm. 70-82 |
|
|
IV. |
mm. 127-end |
|
|
|
|
|
Mosaics (Quintet No. 2) |
I. |
mm. 1-4 |
|
|
I. |
mm. 61-73 |
|
|
II. |
mm. 11-17 |
|
|
II. |
mm. 56-end |
|
|
IV. |
mm. 8-11 |
|
|
IV. |
mm. 19-21 |
|
|
IV. |
mm. 26-29 |
|
|
IV. |
mm. 46-56 |
|
|
IV. |
mm. 98-100 |
Previn, André |
Four Outings |
I. |
mm. 20-23 |
|
|
I. |
mm. 47-65 |
|
|
II. |
mm. 12-20 (enters 1 beat after trombone) |
|
|
II. |
mm. 37-40 |
|
|
II. |
mm. 57-72 |
|
|
III. |
mm. 40-51 [open] |
|
|
IV. |
mm. 5-6 |
|
|
IV. |
mm. 12-13 |
|
|
IV. |
mm. 31-36 |
|
|
IV. |
mm. 102-106 |
|
|
|
|
Renwick, Wilke |
Dance |
n/a |
mm. 5-15 |
|
|
n/a |
mm. 27-34 |
|
|
|
|
Reynolds, Verne |
Suite for Brass Quintet |
I. Toccata |
2 mm. before reh. 6-5 mm. after reh. 6 |
|
|
I. Toccata |
3 mm. after reh. 8-5 mm. after reh. 8 |
|
|
I. Toccata |
reh. 11-3 mm. before reh. 12 |
|
|
III. Scherzo |
8 mm. before reh. 3-3 mm. after reh. 3 |
|
|
III. Scherzo |
9 mm. after reh. 6-15 mm. after reh. 6 |
|
|
III. Scherzo |
reh. 7-11 mm. before reh. 8 |
|
|
V. March |
1 mm. before reh. 1-1 mm. after reh. 2 |
|
|
V. March |
5 mm. after reh. 3-reh. 4 |
|
|
|
|
Rieti, Vittorio |
Incisioni |
III. Sinfonia da Caccia |
4 mm. after reh. 13-reh. 15 |
|
|
|
|
Sampson, David |
Distant Voices |
I. James Agee: Writer |
mm. 13-22 |
|
|
I. James Agee: Writer |
mm. 32-39 |
|
|
I. James Agee: Writer |
mm. 42-43 |
|
|
I. James Agee: Writer |
mm. 90-95 |
|
|
I. James Agee: Writer |
mm. 159-162 |
|
|
II. Bobby Hackett: Jazz Cornetist |
mm. 11-17 |
|
|
II. Bobby Hackett: Jazz Cornetist |
mm. 25-34 |
|
|
II. Bobby Hackett: Jazz Cornetist |
mm. 56-68 |
|
|
IV. Ben and Mark: My Sons |
mm. 17-30 |
|
|
IV. Ben and Mark: My Sons |
mm. 54-64 |
|
|
IV. Ben and Mark: My Sons |
mm. 120-128 |
|
|
IV. Ben and Mark: My Sons |
mm. 202-207 |
|
|
|
|
|
Morning Music |
n/a |
mm. 54-64 |
|
|
n/a |
mm. 76-82 |
|
|
n/a |
mm. 93-97 |
|
|
n/a |
mm. 112-119 |
|
|
n/a |
mm. 175-180 (passage continues in a similar fashion for 17 more measures) |
|
|
n/a |
mm. 255-259 |
|
|
|
|
Sanders, Robert |
Quintet in B-flat |
I. |
mm. 95-110 |
|
|
I. |
mm. 141-147 |
|
|
|
|
Schuller, Gunther |
Music for Brass Quintet |
I. |
mm. 14-20 |
|
|
I. |
mm. 24-32 |
|
|
I. |
mm. 37-47 |
|
|
I. |
mm. 52-55 |
|
|
II. |
mm. 50--60 |
|
|
II. |
mm. 66-73 |
|
|
III. |
mm. 17-24 |
|
|
|
|
Stevens, John |
Fabrics |
I. Morning Star |
mm. 58-61 |
|
|
II. Sunshine and Shadow |
mm. 116-128 |
|
|
II. Sunshine and Shadow |
mm. 136-138 |
|
|
IV. Flying Geese |
mm. 33-41 |
|
|
IV. Flying Geese |
mm. 91-97 (Pattern continues in a similar fashion for 13 more measures) |
|
|
IV. Flying Geese |
mm. 157-167 |
|
|
IV. Flying Geese |
mm. 179-203 |
|
|
IV. Flying Geese |
mm. 256-end |
|
|
|
|
|
Seasons |
I. Spring |
mm. 16-32 |
|
|
II. Summer |
mm. 5-9 |
|
|
II. Summer |
mm. 26-37 |
|
|
II. Summer |
mm. 59-75 |
|
|
IV. Winter |
mm. 59-69 |
|
|
IV. Winter |
mm. 107-120 (Passage continues in a similar fashion for 18 more measures) |
|
|
|
|
Tilson Thomas, Michael |
Street Song |
n/a |
mm. 19-39 |
|
|
n/a |
mm. 60-67 |
|
|
n/a |
mm. 120-134 |
|
|
n/a |
mm. 160-164 |
|
|
n/a |
mm. 180-196 |
|
|
n/a |
mm. 220-228 |
|
|
n/a |
mm. 277-290 |
|
|
n/a |
mm. 303-309 |
|
|
n/a |
mm. 351-353 |
|
|
n/a |
mm. 364-375 |
|
|
|
|
Tull Fisher |
Coup de Brass |
n/a |
mm. 3-13 |
|
|
n/a |
mm. 30-35 |
|
|
|
|
|
Exhibition |
I. |
mm. 13-15 |
|
|
I. |
mm. 49-57 |
|
|
VI. Finale |
mm. 5-12 |
|
|
VI. Finale |
mm. 22-30 |
|
|
|
|
Wilder, Alec |
Brass Quintet No. 1 |
I. Trumpet Prelude |
reh. F-2 mm. before reh. G |
|
|
II. Elegy for Horn |
reh. A-reh. E |
|
|
II. Elegy for Horn |
1 mm. before reh. H-reh. J |
|
|
II. Elegy for Horn |
1 mm. after reh. J-end |
|
|
III. Tuba Showpiece |
reh. I-end |
|
|
V. Toccata |
3 mm. before end-end |
|
|
VI. Finale |
reh. G-end |
|
|
|
|